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Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Wednesday, 27 June 2012

Creating Multiple Plot Lines

Posted on 15:43 by Unknown
Game of Thrones
So many characters and each believe they are the true hero.
Via: Screen Rant

Most stories follow a protagonist, or hero, through their journey to overcome adversity, evil, boredom, loneliness, or whatever it is they are up against. However, some stories need more characters and story lines to cover the epic plot.
Multiple plot lines are common in fantasy. Anyone who's read George R R Martin's Game of Thrones (or seen the tv series) will know there are many key characters in this novel and each of them has their own story arc or plot line. If your story has many occupants, here's some tips:
  • Each character has their own story. Don't just throw in characters to enhance your protagonist's story. These characters have had their own paths leading up to this point. Remember, every character, even the busty barmaid serving mead to your luckless young hero, thinks this is THEIR story.
  • Consider POV. Most novels with multiple characters use third person point of view (POV) (this is where you use 'he, she, they, it...' to explain what characters are doing). This is because if you speak from many character's POV, you can easily confuse your reader. There is a trend in YA fiction to use first person POV (using 'I, we...'), this is to give the reader a feeling of closeness to the protagonist. You can still achieve this closeness by using third person omniscient POV, this is where we can hear the thoughts of characters and therefore understand their motivations. Most complicated plots, such as multiple story arcs, will use third person POV varying between limited (watching the characters, we're not in their head) and omniscient POV. For more on POV, this site explains it well: The Three Points of View in Writing.
  • Epic antagonist. If there are many different characters interweaving, you'll want to separate them into teams of light and dark, good and evil or blue and red (if you don't want to suggest one team has more justification than another). Your characters that lead these teams must be epic. If we have many characters telling stories in this novel, you want the antagonist to stand out amongst them all. I believe his story arc is even more important than the hero's, because it is the antagonist who drives the narrative. The best advice I've heard is to remember, a good antagonist believes HE is the protagonist.
  • Voices must be LOUD. I don't mean every character shouts, but each character must have a very distinct voice, to stand out and be heard amongst the crowd of characters. Great writers make every character distinct by their voice, even if they all look exactly the same (simply changing hair colour, gender or size is not a good way of making your character an individual). You can achieve this by making sure you know each character and their motivations well. Do up extensive character profiles, meet their family, live in their skin. For more on the importance of individuality of characters, you can see this post: James Baldwin and Character Who-ness.
  • Each story has its own time-frame. If you have multiple story arcs in your epic novel, don't start them all at the beginning of the novel and end them all at the close of the book. Each character's story will begin when they have their own inciting incident, and they may end much sooner than the overall story (especially if they die), or they may continue their own quest into book two. By giving each story arc its own point of rising climax, you give the reader more places to feel the rising tension and more small lulls where they can relax (momentarily).
It's a big job keeping track of many plot lines at once, especially if you're writing the epic novel as a collaboration with other writers. In my next post, I'll show you various techniques for keeping track of multiple plot lines and story arcs.
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Posted in backstory, character profiles, characters, epic, multiple plot lines, multiple story arcs, plot and structure, point of view, POV, story arc, story structure, voice, writing fantasy | No comments

Monday, 11 April 2011

J is for Jester

Posted on 19:03 by Unknown
Readers like the bad boy more than the 'nice guy'. There's another character that wins us all over - The Jester.

The Jester, or the Fool is a traditional character that adds wit to a story. Their purpose is not only for laughs though, they are often pertinent to the progress of the narrative. Shakespeare's jesters were traditional political humorists, it was their job to keep the King grounded by mocking his political decisions (much like comedians do for politicians today - like The Chasers show). But what if you're not by nature a comedian? Is it hard to write humour? I think it's no harder or easier than writing any style you're not used to (my weak-writing is in romance). So what type of humour should you employ?

The one-liners.
The witty character that is always coming up with quick one-liners. Sometimes these remarks are at the expense of others, this makes the character seem a little heartless. Cordelia from Buffy or Dr House from House are examples. There's two ways you can deal with that; make the receiver of the wit deserve the line, or, make your witty one-liner character get their just deserts at some stage. This is the Trickster character, everything he does is for his own amusement.

The fool.
He's there for us to laugh at. He gets it wrong, but monumentally wrong. He's goofy and harmless, but at some stage in the story, despite all our assumptions of this character, he will actually help the situation where no one else could. No one will be more surprised than the fool. Think Ron Weasley from Harry Potter, or Morgan from Chuck.

The scenario.
Sometimes life is funny. We get ourselves into things that seem so absurd that we can laugh at them latter, these make great novel moments. You can draw on family stories or your own to create a humorous situation. 

For example, I don't swear, well, not the really bad words anyway. While at Uni, I took a course called Psychobiology of Sex, mostly it was about monkeys and alpha-males, but a little touched on the language we humans use. We were asked to write down all the names we knew, including swear words and slang for the female anatomy. Some of mine just used the first letter, followed by dashes. The teacher asked me to read my list. OMG. My face went red and I just read out the first letters. The teacher pushed me to read out the C word. No way. She kept at me and insisted it was just a word. She said it several times. No way. Next, she got the rest of the class to chant the word so I could join in. No way. This went on painfully for about 5 minutes, with the whole class chanting C..., C..., C... I kept seeing students walking past our open door and wondered what they must think of the situation. It was bizarre, like a weird dream where you realise you have a test for a subject you don't know and you're naked. Anyway, it was weird enough to be funny.

Humour can reveal an oddity in what we accept day to day. It can be used in fiction as a way of mocking itself (Pretty Little Liars had a scene in the woods with four scared teens, a branch cracks and a girl says to the others, 'Did you hear that?' This happens all the time in movies, but this time, one says "Well, yeah, I'm standing right next to you."). It can also break the tension, it's very common after a fright for people to laugh, it's our body's way of using up all that adrenaline. Humour is a good way of introducing the unexpected. Plus, humour just makes stories fun. (Click on the pic to read a funny)

Here are some more links to help you with writing the funny:

Make Your Writing Funny - A great post on All Freelance Wrting, with specific examples. I found this most helpful when trying to funny-up one of my characters.

Building Characters with Jung - One of my previous posts, includes a chart of character types and what their motivations are.

Top Ten Tips for Writing Humour - A few ideas for you to play with.

Write on the Funny - Gives some funny scenarios.
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Posted in A-Z Blog Challenge, characters, humour, writing a novel | No comments

Thursday, 23 December 2010

Merry Christmas

Posted on 13:30 by Unknown
Our family is enjoying Christmas up in Brisbane at my Dad's house. All the pressies are under the tree and the old bank account balance is groaning - must be alsmost Christmas now.

When I think of the presents I pick for loved ones, I'm reminded just how individual they all are. Even with my two daughters, so similar in some ways, one always prefers electronic gadgets and the other likes fluffy creatures to love. It's a good reminder to make sure our characters each have their own individual traits and desires.

Hope you have a wonderful time with family and friends this holiday season - pudding for everyone!
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Posted in characters | No comments

Monday, 8 November 2010

NaNoWriMo - What's the Rush?

Posted on 11:46 by Unknown
Slow down, enjoy the view.

Day 9 of NaNoWriMo - and hasn't the time been flying? My first week went well, with my little fingers flicking across the keyboard every spare moment I got. Then, I lost something - the spare moments. Not to worry, I made myself type some words before bed, even when I didn't feel like it.

My problem? In my rush, I've found I've also been rushing my story. I'm pushing my protagonist along in this supernatural mystery/thriller, saying 'come on, get to the next clue, this is NaNoWriMo you know, we don't have time to dawdle!' Dusty has reluctantly obliged (sometimes she shoots me dirty looks, because really, I think she can't be stuffed being the main character and wishes I'd given it to someone else - ungrateful little ....).  At not even the half way mark, we've had most of the murders (I might be able to squeeze one or two more in *evil chuckle*). Dusty has identified the bad guy and he is currently safely tied up, leaving her with the dreamy good guy.

My solution? Slow down. Tell Dusty to take her time, notice the scenery, maybe have a cuppa and think this thing through. Has she really got the bad guy tied up? What if she got that all wrong? That would leave her all alone (except for a couple more would-be victims) with... the killer. And the only guy who would defend her? Well, he's tied up now, so smart move there Dusty.

How's your novel going? Are you taking the time to breathe, to let your protagonist breathe?
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Posted in characters, NaNoWriMo, pace | No comments

Thursday, 11 March 2010

Changing Characters

Posted on 22:31 by Unknown

I've been checking out Scrivener. At first I was disappointed when I realised my program Plot Builder wouldn't work on my new Mac. I begrudgingly downloaded Scrivener and promptly declared it 'too hard to figure out'. There were tutorials available but... pfft. who has time for tutorials?

Of course once I gave in and watched some of the tutorial clips and played around, I've found that it's now my top pick for fiction writing. I can even make onscreen plot cards to use in the How to Review Your Novel course. I've a lot to learn, but I'm loving Scrivener.

With the edits of Dog Show Detective coming along, I have now attacked my characters. Viciously. I've gone over when they first enter, how important they appear, and the big one: WHY are they even in the story? Some characters needed to be given more important roles - or get axed. Holly Lisle has a good system for these revisions, she uses a points system in her course (How to Review Your Novel). 
For example: The character name; 'Tommy' vs 'little Tommy snot-nosed Williams' - using the first suggests a smaller role in the narrative. There are other methods of weighing your characters in this course and making sure you don't put too much emphasis on characters you won't be using much, but make important characters stand out enough.

Another thing to consider about your supporting characters is what do they have invested in this story? What's their motivation for helping or hindering the protagonist? What do they hope to gain? You don't want hanger-ons or submissive personas just taking up space. Every single character counts. You might think because you have a young protagonist then you need to include parents, possibly, but they still need a role in the protagonists journey. Either they make the goal harder to reach or they have their own reasons for helping.

I've also been revisiting my audiobook version of Chris Vogler's Using Myth to Power The Story. This looks at traditional storytelling of the journey of the hero. There are a pool of traditional roles for characters, such as Mentor, Trickster, Hero etc. You can find out a little more about these archetypes at: Using Archetypes to Write Meaningful Characters. Using archetypes as guidelines for your character list can help make sure you don't end up with characters that are too similar. And don't forget every character needs flaws, you can read more about that in a previous blog post: Creating Character Flaws. I wouldn't take the archetypes too far, you don't want a story that seems too formulated or it might end up like this movie trailer:


(not as raunchy as the image looks)
To Write Is To Know (Gabriele Rico) is my most recent audiobook download and I've found it filled with creative writing exercises to get you making new connections. I'm going to try some of these exercises to get some new material for The Warracknabeal Kids and will report back the results soon!

Do you have a favourite book, podcast or course to help you through editing? I'm always looking for more!


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Posted in archetypes, characters, editing | No comments
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